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A Man Disappeared Once

by Kirk Pearson and Julian Korzeniowsky

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Intro 01:14
Constellation leads me forward, regulate my breath and me. A lonely signal, undiscovered- is anyone receiving me?
Now Cain said to Abel gotta listen to me, While we’re soarin’ past the king of Cuba I got a little patch of heaven at the edge of my sleeve, with the gamma that we’re extra fond of, It’s been a long, long century, the planet’s been buried an eternity can last for a while, So keep calm and carry out solutions are varied. Shorter time can make the journey worthwhile. Well now the times are telling we can be loud and satiate. Girl, put your mini-skirt on, Half mast your freak flag that constitutes a little the same old plea just rambling on. We were never normal people, but be careful not to show it off Cause Momma don’t allow that you see. And as the years go rolling on, you’ll still be in my pocket save that little patch of heaven for me. Now Cain looked at Abel with an eyebrow uplifted said I think I’ll be around for a span. Anything you want it, oh you think you got it it’s a puzzle of us sons of a man. Now your little patch of happiness may cause you some problems, some discrepancies you just can’t rely. An eye for an eye, a tooth for a planet a solution you can’t oversupply.
There was a man who disappeared, his train compartment sealed clear. First Paris bound but soon they found him missing There was a man with no regrets, the first to film his cigarettes. A brother killed the other with no motives A man went round the ocean and locomotion left withdrawn. A hum from the oracles said gravity pulls the man who spoke out was gone. Lost him in the fog in Germany said Edison stenography. Mechanic cross Atlantic led him homeward. No gloves, no bags, no jewelry, no shoes to shine for irony but nothing but projector’s past could save him. A man stopped short of the ocean and vague emotion overwrought. A cry from the aging fools say gravity pulls, the man that the land forgot. A man drowned in the ocean, and set in motion a claim dismissing. A hum from the oracles said gravity pulls, the man who spoke out was missing.
Now Louisa was your perfect girl with a face and a figure made men liquify. Now she knew no problems in the world with the near, clear laboratory built up all around her. From the hundred feet of tubing that led out of her veins, and the sine wave oscillator leading right to her brains as long as fossils keep on burning she'll be up to the same old plea, down in Biosphere Three. Now Louisa knew no aerodromes with a face and figure made men multiply. With a sonic rumble from her plastic home and a mean, green biosphere was living all around her.


Louis Le Prince was a French inventor who, in 1888, recorded the first ever continuous motion picture. The film wasn't much, a few seconds of footage filmed in the town square of Leeds, but gifted Le Prince the title of "the mechanical king" back home. On the evening of September 16, 1890, Le Prince boarded the express train to Paris in route to patent his invention. As the train stopped the following morning, both the man and his luggage had vanished from his sealed compartment.

As far as the legal records go, Le Prince was never seen again. Some insist he was murdered by an ex-lover. An even more persistent theory is that Thomas Edison orchestrated his kidnapping, so he could take credit for the motion picture (which he did). His son insisted that Le Prince, a bit of a recluse, had spoken of a “perfect suicide,” where an individual could dematerialize and become public mystery. As society forgot his name, Le Prince would live on and keep slowly gifting his inventions to the public.

This was, of course, far before the advent of the World Wide Web; an invention beyond the wildest dreams of even Louis Le Prince. In the early 2000s, as private collectors started uploading vast photo archives, a few history fanatics started noticing strange appearances of an all-too familiar face. He not only appears in a police photo of a drowned man, but as a spectator of a lecture delivered by Albert Einstein, as a man performing microbial tests in a New York laboratory and as a traveling salesman in southeast India. The photos were not only taken after his death, but up to seventy years following. If one believes the man in question is indeed Le Prince, history would suggest he lived at least two hundred years; perhaps even longer.

I don’t intend to prompt further conspiracy about the story, but rather used the urban legend as a backdrop for a larger narrative. Le Prince, the “mechanical king,” is a case study for what happens when people go missing. We may not have his personal belongings, but we still have his films, his invention and his image. Le Prince created a virtual system of immortality.

This theme of disappearance is nothing new to the musical medium. This is an EP about lost places, people and time: a narrative story of the place that lost things go. Each piece in this album tells a fragment of an larger narrative-- puzzle pieces of an incomplete story, if you will. Thus, the tracks may be listened to in any order you desire.

We sincerely hope you have as much fun listening to this music as we had making it.

Julian Korzeniowsky and Kirk Pearson met as students at the LaGuardia School for the Arts. Well not really. They actually met after they both graduated and had been attending separate schools four hundred miles apart for six months. Surprisingly, they are also real friends in real life.


released January 4, 2014

All songs composed and produced by Kirk Pearson and Julian Korzeniowsky.
Lyrics and backstory by Kirk Pearson.

*Kirk Pearson* (Strings, Vocals, Electronics) studies composition, film and planetary science at Oberlin College and Conservatory. He has worked commissions for independent films, the BBC, and currently, PBS. He presently researches human-computer interaction at the University of Washington. He can be reached at kirk.pearson@oberlin.edu.

*Julian Korzeniowsky* (Keyboards, Mbira, Electronics) has written compositions for the American Composers Orchestra, The New York Philharmonic and Ethel String Quartet. He studies at New England Conservatory. He can be reached at jfelix92@gmail.com.

In order of appearance:

*Will Lord* (Vocals) started writing songs at the age of twelve. His music can be classified as vocal music from a new perspective, drawing vocal techniques and timbres from all over the world and redefining the contexts in which they are usually set. He currently attends LaGuardia Arts in New York City. soundcloud.com/will-lord-official

*Julia Egan* (Vocals) studies classical guitar at the Eastman School of Music. Egan works with Eastman’s student-run film orchestra and has twice collaborated with NPR’s Radiolab.

*Caroline Kuhn* (Vocals) is a New York-based banjoist and composer of a cappella music.

*Eve Kummer-Landau* (Vocals) is a second year at Oberlin College. As a member of the the Brooklyn Youth Chorus she has performed with the New York Philharmonic, the ASO, Clogs, Sufjan Stevens and Shara Worden.

*Max Parsons* (Vocals) studies music at UT Austin. Parson’s previous credits include the bass section leader at St. Matthews, the Ausin Baroque Orchestra, and Ghostlight Chorus.

*Kate Gratson* (Vocals) is a composition student currently based out of SUNY Fredonia. Her 2013 release, Coins, was one of the year’s top selling jazz records. kategratson.com/music/

*Damon Smith* (Keyboards) plays with the popular New York rock group Jacobins. He studies with the contemporary improvisation division of New England Conservatory where his music has been critiqued by the likes of Elvis Costello and Brendan Small. (The latter of which makes Julian Korzeniowsky very jealous.) jacobinsmusic.bandcamp.com

*Griffin Jennings* (Guitars) performs with Jacobins and attends Oberlin Conservatory, where he studies music technology. He is currently collaborating with electronic pioneer Morton Subotnick. jacobinsmusic.bandcamp.com

*Alice Hayes* (Violin) studies and researches human science at Georgetown University.

*Nathaniel Sabat* (Bass) is a graduate of the Vocal Music program at LaGuardia High School. Nate now studies Professional Music at Berklee College of Music studying bass. He plays folk, jazz, orchestral and most things in between. He plans on staying in Boston for at least a few years after he graduates from school, and then seeing where the musical road takes him afterwards.

*Cindy Lan* (Violin) is the lead singer of the band Cindy Lan and the Lannies, a group composed of herself, her viola, and several stuffed pandas. When not studying at Skidmore College, she can be found wandering the streets of her native Queens, bubble tea in hand.

*Vanessa Grasing* (Vocals) is a New York-based singer/songwriter currently studying studio composition at SUNY Purchase. soundcloud.com/vanessagrasing

*Nick Dunston* (Bass) is a jazz musician currently studying at LaGuardia Arts. He aspires to attend the Manhattan School of Music.

*Cole Blouin* (Guitars) is a guitarist and songwriter/composer from Augusta, Maine, living in Oberlin, Ohio. His interests include travel, 20th century literature, mindfulness and mountains. soundcloud.com/coleblouin.

*Cooper Lynn* (Piano) studies music and comparative literature at Columbia University, where he is heralded as the inventor of the tomato-mayonnaise sandwich. Lynn is also a member of the bluegrass duo “Garlic and Onion,” with no relation to the aforementioned sandwich.

*Aiden Berglund* (Guitars, Vocals) is a multi-instrumentalist who plays with the bands Palm Pilot, The Alright Now and with Michael Eliran. aiden.bandcamp.com

*Jonah Bobo* (Guitars, Vocals) plays with New York rock group The Bonnie Situation and his solo project, Monochoir. monochoir.bandcamp.com

*Zoe Madonna* (Accordion) recently returned from Japan and bemoans the fact that she can no longer walk five minutes and buy a bowl of oden. She is a dancing fool and future crazy cat lady who owns far too many swirly dresses. That's a lie. There is no such thing as too many swirly dresses.

"Little Patch of Heaven" contains a sample of "Home Computer" (1981) by Kraftwerk. "Biosphere Three" contains a sample from "Love Shack" (1989) by The B-52s and a segment of "Night of the Living Dead" (1968).

"Projectors Past" was inspired by a theme in Oskar Schuster's composition "Sneeuwland." Schuster's music can be downloaded at oskarschuster.com

Special thanks to Hayden Arp, James Vitz-Wong, Mark Mothersbaugh and Carolyn Swartz.




Kirk Pearson New York

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